I began painting in 2006, exploring abstraction as a way to capture emotion rather than form. What started as a personal experiment quickly grew into a deeper pursuit — the search for a visual language that could translate raw emotion into colour, movement, and texture.

For me, painting is an intimate process of presence and discovery. Sitting before the canvas, I find myself in dialogue not only with colour and texture but with memory, silence, and emotion. Each stroke becomes a way of working through the unseen, allowing what cannot be said in words to emerge in shape and tone. In this way, painting is both meditative and deeply human — a reflection of life’s shifting states.

Over the years, I have refined this into what I call Abstract Emotional Expressionism. Each painting is an unrepeatable dialogue between material and mood, created using oils, acrylics, watercolours, and mixed media such as sand, modelling paste, and textured surfaces. I also design and build unique canvases, ensuring every work is not only visually distinct but also physically one of a kind.

For me, painting is as much about presence as it is about creation. When I stand before a blank canvas, I enter into a quiet dialogue with memory, silence, and emotion. Rather than trying to control the outcome, I allow the work to reveal itself through layers of colour and texture. This process feels like both surrender and discovery — a way of uncovering something hidden, something that already exists but can only be brought to light through paint. In those moments, the studio becomes more than a place of making — it becomes a space of meditation, where the invisible edges of thought and feeling begin to take form. Each piece carries its own energy, unpredictable and alive, shaped by intuition as much as intention.

Based in Bexhill-on-Sea, England, my art continues to evolve as a balance between chaos and harmony, stillness and intensity. For me, painting is a way of making the invisible visible — a way to invite others into the space where feeling becomes form.